Historical
mystery reviews by
Sarah L. Nesbeitt - originally published in various past issues of Murder:
Past Tense.
If you like these, why not join the Historical
Mystery Appreciation Society?
All reviews on this page ©1999-2002 Sarah L. Nesbeitt. All rights
reserved.
River of Darkness by Rennie Airth
(UK Macmillan, 1999; Viking, 1999; Penguin, 2000)
One of the pleasures of reviewing is picking up and thoroughly enjoying
a book you’d never have given a thought to otherwise. For me, River
of Darkness had a number of strikes against it: it’s set just after
WWI (strike one), and the crimes’ perpetrator is a serial killer (two)
who tends to stalk and then murder his victims in a rather gruesome
fashion, graphically described (three). All this being said, however, this
rather grim, carefully plotted novel quickly grew on me.
As the
story opens, Scotland Yard Detective John Madden, a battle-scarred veteran
of the Great War, has just been called in to help solve a set of murders
in the Surrey countryside. Colonel and Lucy Fletcher, young parents who
were well beloved by their community, have been stabbed to death in their
manor house, along with their servants. The condition of the bodies makes
it appear as if the victims had no time to fight back. Madden is
considered an inappropriate choice of detective by some who believe that
his wartime experiences -- and the early deaths of his wife and child --
may have affected his objectivity. Needless to say, his opponents are
eventually proven wrong.
River
of Darkness is more of a thriller than a historical mystery per se, as
the identity of the killer (or is it killers?) is revealed halfway through
the book. The real mystery of the novel then becomes the question of
whether Madden and his compatriots can track him down in time -- before he
strikes again. There’s a romance subplot as well, handled with equal
emotional power and skill. Not a novel to read when you’re home alone,
given the choice, but you may not be able to help yourself. I look forward
to John Madden’s next investigative adventure.
A Murder in Thebes: A Mystery of Alexander the Great by
Anna Apostolou
(St. Martin’s, 1998; pb, 1999)
Rumors of King Alexander’s death have been greatly exaggerated, to
the dismay of Thebes, a recent conquest, and Persia, his foremost rival.
Alexander has just returned from subduing the mountain tribes of Thessaly
only to find himself and his army reported as dead and Thebes in revolt.
His most trusted captain, Memnon, has died after falling (being pushed?)
from his locked tower room. In addition, Alexander wishes to display his
valor by obtaining the Iron Crown of Oedipus, the ancient King of Thebes,
for himself.
Miriam
Bartimaeus, a young Israelite who serves as one of Alexander’s personal
scribes, is charged with the tasks of finding Memnon’s murderer as well
as discovering a way for Alexander to take the Crown without force.
Obstacles are constantly thrown in her way, as the Crown is well secured
and the murderer still at large: the body count increases almost daily.
Furthermore, the ghost of Oedipus himself has been seen terrorizing
Macedonians and Thebans alike.
The nonstop
action and suspense almost, but not quite, distracted me from the
cardboard characters, Miriam and her twin Simeon in particular. Still, the
Thebes of 332 B.C. as presented here is well imagined, with its olive
groves, sacred shrines, and the city itself burned to rubble under
Alexander’s orders. Apostolou (a pseudonym of P.C. Doherty) kept me
guessing the murderer’s identity throughout.
The paperback
edition of this book, at least, desperately needs a better copy editor; I
lost count of the number of typographical errors, grammatical mistakes,
and misplaced punctuation marks throughout the book. (After finishing this
review and reading an earlier review of A Murder in Macedon, which
apparently had the same defects, it’s clear that this series desperately
needs help.) Putting these problems aside - if you can - I recommend this
series to readers of action-packed historical mysteries.
Queen of
Ambition by Fiona Buckley
(Scribner, 2002)
Ursula Blanchard, lady in waiting to Queen
Elizabeth, is asked by Sir William Cecil to look into a possible threat
against her mistress. It has been arranged that the Queen, upon arrival in
the Protestant town of Cambridge, will be greeted by a playlet staged by the
town’s loyal citizens. Or are they as loyal as they seem? To investigate,
Ursula must set her noble bearing aside and disguise herself as a servant in
a pie shop.
The scenes involving the Jester family, the
shop’s owners, are among the most fascinating, as they realistically
depict the harsh life of servants in Elizabethan England, something rarely
seen. Buckley has also done her research into the undercurrent of religious
rivalries ever-present at the time. However, despite the intelligent writing
and the lively heroine, I was left with the impression that this series may
be running out of steam. The mystery’s solution was rather obvious, and I
suspect that anyone with more than a little knowledge of Tudor-era history
will feel the same. Although I haven’t read any others in this series, the
author’s other historical novels (written as Valerie Anand) are wonderful.
I know that she is capable of much more.
Face Down Beneath the Eleanor Cross by Kathy Lynn Emerson
(St. Martin’s, 2000)
Lady Susanna Appleton is only somewhat surprised to
receive a coded message from her late husband Robert instructing her to meet
him at a disreputable London tavern. Always having suspected that he faked
his demise, she now hopes that this will be the last she hears from him. The
tavernkeeper mistakes her for the cloaked woman who had accompanied her
husband earlier. Confused by this, Susanna then sees a man fall to his death
from the top of the nearby Eleanor Cross: her husband Robert.
Due to
her knowledge of poisons, she’s accused of his murder. Within four months
- unless she clears herself - she’ll be burned at the stake. Curious about
the mysterious woman, with her servants and friends accompanying her she
proceeds to visit her husband’s four mistresses - each of whom had a
motive to kill him.
Susanna
is a sympathetic character, but she's not easy to know. She also hardly acts
like she’s in danger, judging by the leisurely manner in which she
investigates the crime. Would most people act similarly after being accused
of murder by the Earl of Leicester, the Queen’s favorite? In addition,
Susanna’s assumption that the crime was a domestic rather than an
political affair is odd, given Robert’s involvement in international
intrigue.
Despite
these flaws, the setting seems authentic, and Emerson’s descriptions of
the Elizabethan justice system were particularly shocking. The conclusion
was a mystery to me until the very end, and although I wasn’t intensely
curious about the killer’s identity, it kept me reading.
Though
this book is fourth in a series, I didn’t feel at a disadvantage not
having read the others. Not an author I’d seek out in hardcover, but since
paperbacks of the first three novels are out, I may pick them up.
A Morning in Eden by Anna Gilbert
(Robert Hale, 2001; St. Martin’s Minotaur, 2001)
This thoughtful, beautifully written novel of secrets that pervade an
English community circa 1919 has traditional elements of the mystery,
romance, Gothic, and historical novel, but works best as the latter. Lorna
Kent, a young woman whose sheltered childhood has left her with little
experience of the world, has no choice but to join her Aunt Mabel in the
small town of Canterlow following the death of her dearly loved Aunt Belle.
She soon discovers that beneath Canterlow’s placid exterior lie several
mysterious deeds, such as the drowning of Alice Hood, a young woman led
astray by her errant lover. Gilbert takes her time in revealing the
circumstances behind Alice’s death; instead, the greater part of the novel
deals with Lorna, her growing attraction to the school’s married
headmaster, and gentle exploration of the sadness ever-present in a town
still mourning the young men lost to the war. In the last fifty pages, the
pace and suspense pick up considerably, but the romance is fairly tepid, and
the mystery content is too slight to be satisfying. Still, the novel serves
as an excellent reminder that a bucolic English country setting may not
always be as peaceful as it seems.
An Antidote for Avarice by Caroline Roe
(Berkley, 1999)
As it’s been over a year since I read Caroline Roe’s first medieval
mystery, and since I haven’t read the second, it took some time for me to
get reacquainted with the characters of this novel, the third in the series.
An
Antidote for Avarice begins in 1354 in Girona, Spain. Isaac of Girona, a
blind Jewish physician, is trying to convince his sharp-tongued wife Judith
that he alone must accompany the Bishop of Girona to a council in Tarragona.
Judith, who wants to visit her sister and arrange a marriage for reluctant
daughter Raquel, eventually gets her way. The family, their servants, the
Bishop, his entourage, and three nuns all make their way to Tarragona via a
slow-moving convoy of wagons and mules. Later in their travels, Isaac’s
group encounters a badly injured young man who claims to be other than he
seems. Elsewhere in Spain, a papal messenger clutching a letter is found
dying by the side of the road.
The sheer
number of characters and multiple plotlines, particularly in the beginning,
had me constantly checking the cast of characters to see who was who. I
never did end up getting some people and their roles completely figured out.
Still, I found fascinating the descriptions of people’s experiences
travelling through medieval Spain. The squabbling amongst a large group
forced to travel together for a considerable length of time provided some
comic relief. The mystery itself is handled deftly, and the killer’s
identity was carefully concealed until the proper moment. Though I found
this mystery entertaining, I strongly recommend that the novels in this
series be read in order, and preferably one right after another, in order to
keep the characters fresh in one’s mind.
A Trust Betrayed by Candace
Robb
In 1297, a year when Scotland’s loyalties are
torn between England’s might and its own native monarch, Margaret Kerr
travels to Edinburgh in search of her missing husband Roger and to solve
her cousin's murder. The young and untried Margaret soon discovers that
even seeming friends have their own political agendas that take precedence
over her investigations and personal happiness. We slowly come to realize
along with Margaret who can and cannot be trusted. After more facts about
Roger are revealed, we also pity her, as he hardly seems to merit as much
devotion as she shows him. The occupied Edinburgh, with all its danger and
squalor, comes to life under the author’s pen, and the political
background is effectively conveyed. While the story is suspenseful, the
historical background and characters predominate, and it’s refreshing to
read Scots dialogue that’s relatively free of Brigadoon-speak. At the
end, not all the loose ends are tied up, leaving us anxious for the next
volume. Readers of medieval fiction, even if not mystery fans, are likely
to enjoy this novel.
The Monk Who Vanished by Peter Tremayne
(UK Headline, 1999; St. Martin's, 2001)
Colgu of Cashel, King of Muman (Munster) in Ireland of the year 666,
finds himself accused of conspiring to assassinate a new ally and former
rival, the Prince of the Ui Fidgente. At the same time, Brother Mochta of
the nearby abbey of St. Ailbe has disappeared under mysterious
circumstances, as have the saint's holy relics. Both sets of events have
potentially dire consequences for the people of Cashel. Are the two
connected? Fidelma of Cashel -- religieuse, advocate of the law court, and
sister of Colgu -- teams up with her colleague, the Saxon monk Brother
Eadulf, in order to find the missing relics and clear her brother's name.
Only an
author as steeped in Celtic history as Tremayne could have provided as much
historical detail as is present throughout this novel. In addition, and
perhaps more importantly, Tremayne weaves his historical fact with an
entertaining plotline so well that the result seems effortless. Sister
Fidelma, with her legal knowledge and royal connections, is an ideal
protagonist, always carefully looking behind initial assumptions in order to
ferret out the truth. By the novel's end, we are utterly confident that she
will solve both crimes just in the nick of time. Neither she nor Tremayne
disappoints.
Return
to the Previous Page.
|