Historical
fiction reviews by
Sarah L. Nesbeitt - originally published in the Historical Novels
Review (Issue 15).
All reviews on this page ©2001 Sarah L. Nesbeitt. All rights
reserved.
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THE
SPIRIT WOMAN
Margaret
Coel, Berkley, 2000, $21.95/C$30.99 (£13.19), 272pp, hb, ISBN 0425175979
Historical records imply that Sacajawea, the Indian guide on Lewis
and Clark's westward expedition, died young in 1812 of 'putrid fever'.
The oral tradition of the Shoshone tribe, however, says that she
lived out a long life in the company of her people.
Laura Simmons, a college teacher fleeing her brutal ex-boyfriend,
arrives at the Wind River Reservation in central Wyoming with the goal of
locating Sacajawea's recorded memoirs. Not only do many tribal members to
keep Sacajawea's history to themselves, though, but a previous researcher
may have met an unfortunate end.
The
Spirit Woman
introduces us to a culture where oral history is paramount, and to a
people to whom age and wisdom are highly respected.
Despite this, modern life continues to rear its ugly head, with
Coel's honest portrayals of social problems such as alcoholism, academic
dishonesty, and spousal abuse (particularly the latter).
The mystery of the location -- and even existence -- of Sacajawea's
memoirs takes numerous turns, keeping the reader guessing throughout, with
more than one surprising plot twist in the interim.
The novel concludes with a suitably powerful finale, leaving
readers impatient to seek out past and future volumes in this growing
series. Though not truly a
historical mystery, The Spirit Woman
should prove of great interest to anyone interested in exploring
America’s Native American past and Sacajawea’s story in particular.
JESTER
LEAPS IN: A Medieval Mystery
Alan Gordon, St Martin’s
Minotaur, 2000, $23.95/C$36.99 (£14.40), 276pp, hb, ISBN 0-312-24117-8
The jester of the title is Theophilos (aka Feste), a member of the
Fool’s Guild -- an organization secretly dedicated to keeping a balance
of power among the thrones of Europe.
He and his fellow fool (and new wife) Viola are asked to venture
south from Italy to Constantinople, where other agents of the Guild have
disappeared without trace. Arriving
in the Byzantine Empire, the pair, with Viola disguised as Feste’s male
servant, soon find themselves caught up in a political web larger than
they imagined. The Byzantine
throne is never secure, and the opposing factions never fear to stoop to
murder if it would further their cause…
Thirteenth-century
Constantinople as seen here is a vibrant yet dangerous city, described
with skillful detail, and the action inside its borders is nonstop.
The author’s dry sense of humor, presented through Feste and
Viola, enlivens this mystery even further.
In a genre nearly overflowing with ecclesiastical sleuths, this
colorful medieval mystery is a breath of fresh air.
Readers should be sure to check out Thirteenth
Night, the first in the series.
THE
WHOLENESS OF A BROKEN HEART
Katie Singer, Riverhead
(Penguin Putnam), 2000 (c1999), $14/C$20 (£8.42), 435pp, tpb, ISBN
1-47322-831-1
Hannah Felber has always enjoyed a close relationship with her
adoring mother, Celia. All comes crashing to a halt, however, when in the
late 1970s college-age Hannah begins to assert her independence.
Stunned by her mother's complete abandonment of her after a single
argument, Hannah looks to her female ancestors for clues to Celia’s
unusual behavior.
Family ties among this close-knit group of Eastern European Jews run deep.
Hannah’s two great-grandmothers, Channa (Hannah’s namesake) and
Leah, are both strong-minded, straight-talking women.
Through them, we learn of the American immigrant experience both
from the point of view of those newly arrived in a strange land (Channa)
and those left behind in the old country (Leah).
In stories narrated by other female relatives, both living and
dead, we learn of conflicts between personal happiness and the overall
good of a family, from the end of the nineteenth century through Nazi-era
Europe and after. Their
tales, emotionally resonant without being sentimental, are interspersed
with those of Hannah herself. Only
Celia’s own stories are somewhat of a letdown, as they’re all too
brief.
Singer’s
characterization and language are impeccable, as all of the narrators have
distinct voices, and the Yiddish accents of the elder family members come
across even on paper. In all,
a highly recommended, thoroughly enjoyable exploration of the Jewish
American family experience, and one of women’s survival in changing
times.
LADY LESSONS
Sarah Starr, Regency Press, 2000, $19.95, 211pp, hb, ISBN
1-929085-17-6
A Regency romance, this novel details the unusual courtship between
Julian, Earl of Ashley, and his grandmother’s god-daughter Virginia
Traynor, called Ginger. She
and her brother, Thomas, are invited to pay their godmother a visit, but
little does she know that the Dowager Countess of Ashley has matchmaking
in mind. To her godmother’s surprise, Ginger is a young girl whose
tomboyish behavior and unpolished manners make her unfit for society.
The Earl finds Ginger attractive and refreshing, but he’s
determined at first to marry a more suitable bride – even though it may
not be for love.
Despite
the title, the “lady lessons” which Ginger undertakes for the Earl’s
benefit don’t begin until the novel’s nearly finished.
There are some other flaws, notably the lack of development for
secondary characters such as Thomas, described more like an early
adolescent than a man of twenty. Also,
Ginger herself seems at times too youthful to be interested in romance and
marriage. Still, the
characters’ actions and the language used are perfectly appropriate to
the period, and if you can put aside these inconsistencies, this novel
would be a charming addition to any reader’s Regency collection.
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